(think Boone Creeks great 70's classic 'One Way Track') that is just how the harmony moves. all this falls into proper chord theory ( i wont get into this - long subject ) and to think of that same progression as I > #II ( 1 chord to #2 chord - G > A#) is just going to make the aural recognition of this movement (progression, chord change, whatever you want to call it) more difficult.ītw, to illustrate how all this works in the jam.90% of the time if you see (hear i should say) G going to Bb, the NEXT chord is more than likely C. One thing to remember is that chords have home keys and related chords within those keys that often (esp in Folk styles) follow a pattern, in the long run, its gonna be easier to learn how all these chords work together BECAUSE they often follow a pattern - for example, many tunes have the progression I > bIII ( 1 chord to b3rd chord ) #which in the key of G = G > Bb. It sounds like you can easily visualize a A chord, thus sliding it up 1/2 step is easier to visualize than actually making a Bb chord - which is ok, but.
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